Costume
Twisted Sisters a 80's rock and roll band best known for cross-dressing during their performances and music videos to stand out from the crowd. In the 80's a wild time seeing this band cross dress perhaps could have been liberating or laughable, but whatever it was audiences were more attracted to this band because of their unique take and look that made them stand out from the rest of the crowd. Even if audiences didn't like their music they would still may be confused and therefore attracted to the band even more to understand what is going on because it is eye catching and controversial. The bright and strong colours used by the band are also eye catching, especially as they put in the extra effort to even put make-up on which is intentionally ugly and displeasing to see to again create controversy and therefore generate attention to attract more audiences.
Narrative
This music video has no real easy narrative to follow making it conceptual as its a collection of different shots which have no real connection to each other or the lyrics that are being sung by Rick Astley. This song which is about love and separation can link to connote to why the music video is conceptual as if Rick Astley is saying that love and separation is very confusing and misleading just like the style of a conceptual video. Audiences can relate to this feeling as members of the target audience of 16-25 have probably fell in love at some point of their life and can relate to this song and understand the idea of using a conceptual video.
Exhibitionism
Fifth Harmony is a typical exhibitionist band, flashing their bodies and wearing provocative clothing and dancing in order to connote sexuality to draw male audiences to watch their music video. Laura Mulvey argues that women are sexualised in order to draw male attention to the video and it is shown here. Male audiences will be more likely to watch this video in order to fill sexual urges and therefore generate more popularity for the band.
Editing
The editing used in Keith Ape's It G Ma
